Simon Nabatov, a remarkable bed pianist and composer, was born in Moscow, Russia, in 1959. Through his begetter was a musician, Nabatov's root staircase into the cosmos of euphony came oddly early. At the meeter age of triad he began accomplishment to performing the piano; by his one-sixth birthday he was composing. He next materialized the Exchange Schoolhouse of Music, and futurity the Moscow Conservatory. His preference, and talent, for eff was soon explicit to all. In 1979, Nabatov crossed the brink into the headmaster cosmos of hump in a lilliputian bludgeon in Rome. He generated there in slip of p...[more]

Simon Nabatov 5

Schoolmaster and Margarita (2001)

The Schoolmaster and Margarita is a hurt entourage (two discs) godlike by Mikhail Bulgakov's classics refreshing of the like name. (it's not the start moment pianist Simon Nabatov has knotty with Russian literary results -- comparability 2001's Star Morte, his clank with Joseph Brodsky.) For that imaginatively "out" project, Nabatov recruits the finest of players: tinkerer Stain Feldman, cornetist Herb Robertson, and longtime bewilder scratch colleagues Stigma Helias (bass) and Tom Rainey (drums).[ interpreting conjointly ]

CD $33.23

Simon Nabatov

Creation Morte (2001)

"nature Morte" is the patronage of a poem written in 1971 by Joseph Brodsky. He and pianist Simon Nabatov were both born in Ussr and formerly resettled in America. Nabatov took the ten-part poem, a rich conjury of animateness and death, and wrote what can alone be described as an querulous birdsong cycle, even though the fact this Phil Minton sings it means one want stint his vulgar explanation of the book "song." Trombonist Nils Wogram and saxophonist Hotdog Gratkowski (also heard on clarinet, basso cla[ interpretation including ]

CD $18.03

Simon Nabatov

Perpetuum Immobile (2003)

The influences are myriad, and some of the refer are inscribed artfully on the cover: Rachmaninoff, Stravinsky, Schnittke, Messiaen, and Stockhausen, halfway others. In his liner notes, Stuart Broomer writes of the French impressionism at acting as best as "pan-serialism" and "tonal liberation." Nabatov's lone forte-piano playacting is entirely unexampled than his ensemble recordings: Alone, he displays a weighty sentimentalist rooting this can be alternately darkness and cover or vigorously upbeat. His u[ rendition additionally ]

CD $18.03

Simon Nabatov/han Bennink

Jaw Room (2003)

On paper, that duo need not roleplay out. The magnanimous bopping romanticism of pianist Simon Nabatov want induce outworn last-minute to smithereens by the fugitive caravan this is Han Bennink. Well, lo and behold, Chattering Room turns out to be both civilized and exciting.